As part of the 17th Biennial Conference of the Early Book Society, which will be taking place the days 12th to 16th of July via Zoom, a whole session on Celestina entitled “Woodcuts of Calisto and Melibea” has been scheduled for Monday, 12th of July, at 17:00 (British time, 18:00 in continental Europe). In it, Ana Milagros Jiménez Ruiz (Universidad de Zaragoza) and Amaranta Saguar García (Universidad Complutense) will be taking about the woodcuts of, respectively, the Tragicomedia and the Comedia.
More concretely, Jiménez Ruiz will be presenting her paper “Tragicomedy of Calisto and Melibea: a mixed-woodcut testimony”, in which she analyses the woodcuts of the edition Sevilla [but Rome], [Marcello Silber], 1502 [but 1515-1516] from the point of view of the reception of Celestina in Italy.
In turn, Amaranta Saguar García will be reading her paper “The lost woodcut(s) of the Burgos: Fadrique de Basilea, 1499 (but 1500-1501) edition of the Comedia de Calisto y Melibea. A temptative reconstruction”, in which she will show that the hypothesis of the Burgos Comedia missing an unsigned gathering of four leaves at the beginning is not that unlikely if full-page woodcuts like those included in Johannes Grüninger’s 1496 edition of Terence’s Comoediae are taken into account. (Yes, I know that the conference abstract says something completely different but… one thing is where you think research is going to take you and a different thing is where research does in fact take you).