Open access publication of celestinesque interest

As usual, the Centro Virtual Cervantes has made the conference proceedings of the VI Congreso Internacional Juan Ruiz, Arcipreste de Hita, y el Libro de buen amor «Mujer, saber y heterodoxia: Libro de buen amor, La Celestina y La Lozana andaluza» available online. There are several contributions of celestinesque interest:

Tomorrow (12/07/2021): Two papers of celestinesque interest at the 17th Biennial Conference of the Early Book Society

As part of the 17th Biennial Conference of the Early Book Society, which will be taking place the days 12th to 16th of July via Zoom, a whole session on Celestina entitled “Woodcuts of Calisto and Melibea” has been scheduled for Monday, 12th of July, at 17:00 (British time, 18:00 in continental Europe). In it, Ana Milagros Jiménez Ruiz (Universidad de Zaragoza) and Amaranta Saguar García (Universidad Complutense) will be taking about the woodcuts of, respectively, the Tragicomedia and the Comedia.

More concretely, Jiménez Ruiz will be presenting her paper “Tragicomedy of Calisto and Melibea: a mixed-woodcut testimony”, in which she analyses the woodcuts of the edition Sevilla [but Rome], [Marcello Silber], 1502 [but 1515-1516] from the point of view of the reception of Celestina in Italy.

In turn, Amaranta Saguar García will be reading her paper “The lost woodcut(s) of the Burgos: Fadrique de Basilea, 1499 (but 1500-1501) edition of the Comedia de Calisto y Melibea. A temptative reconstruction”, in which she will show that the hypothesis of the Burgos Comedia missing an unsigned gathering of four leaves at the beginning is not that unlikely if full-page woodcuts like those included in Johannes Grüninger’s 1496 edition of Terence’s Comoediae are taken into account. (Yes, I know that the conference abstract says something completely different but… one thing is where you think research is going to take you and a different thing is where research does in fact take you).

More information on the programme and the conference abstracts can be found at the offical website of the conference:

Papers of celestinesque interest at the VI Congreso del Arcipreste de Hita: Congreso-Homenaje a doña Folke Gernert (28th-29th of May 2021, on-line)

For the next two days, the VI Congreso del Arcipreste de Hita: Congreso-Homenaje a doña Folke Gernert will be taking place on-line. Due to the research preferences of the honoured scholar, the conference will include papers related to the Libro de buen amor, La Lozana andaluza and, what is of greatest interest for his blog, Celestina. Here is a selection of the papers on celestinesque topics:

  • “La evolución de la representación de Celestina en las ediciones del XVI” by Ana Milagros Jiménez Ruiz (Universidad de Zaragoza), 28th of May 2021, 11:30 (GMT+1).
  • “Cervantes ante Celestina” by Jorge García López (Universitat de Girona), 28th of May 2021, 12:10 (GMT+1).
  • “Melibea, mujer lectora: hacia el establecimiento de un censo de lecturas peninsulares en el siglo XV” by Arturo JIménez Moreno (SEMYR), 28th of May 2021, 12:20 (GMT+1).
  • “Melibea y Lozana: la contracultura de la muerte” by Antonio Rubiales Roldán, 28th of May 2021, 13:30 (GMT+1).
  • “Mujer y magia en la Celestina: una mirada a partir de los Heterodoxos de Menéndez Pelayo” by María Cristina Pascerini (Universidad Autónoma de Madrid), 28th of May 2021, 13:40 (GMT+1).
  • “El paradigma celestinesco en la escritura esperpéntica de Valle Inclán” by Marcella Trambaioli (Università degli Studi del Piemonte Orientale “Amedeo Avogadro”), 28th of May 2021, 17:00 (GMT+1).
  • “Paisajes de sonido en Celestina” by Dorothy Sherman Severin (University of Liverpool), 28th of May 2021, 17:10 (GMT+1).
  • Celestina y la ‘publicación’ antes de la imprenta” by Georgina Olivetto (Universidad de Buenos Aires), 28th of May 2021, 17:50 (GMT+1).
  • Melusina, Celestina, Magelona. O cómo los impresores augburgueses convirtieron Celestina en prosa de ficción” by Amaranta Saguar (Universidad Complutense), 28th of May 2021, 18:50 (GMT+1).
  • “Compasión: ¿una virtud cuestionada en Celestina y Cárcel de amor?” by Ana Montero (Saint Louis University), 29th of May 2021, 11:00 (GMT+1).
  • “Evolución y protagonismo del motivo del huerto de la Tragicomedia a Tercera Celestina” by Miguel García Bermejo Giner (Universidad de Salamanca), 29th of May 2021, 12:20 (GMT+1).

A full PDF-version of the programme can be seen here. The Zoom links have been shared via Twitter:

Natalia Fernández at the cycle “La Celestina: Representaciones de un clásico” (11/05/2021): “Referentes pictóricos del teatro: Celestina y compañía”

Last week the Universidad de Cantabria uploaded to one of its Youtube accounts Joseph T. Snow’s paper at the cycle “La Celestina: Representaciones de un clásico” (see the relevant post here). This week it is the turn of Natalia Fernández’s paper “Referentes pictóricos del teatro: Celestina y compañía” which has been uploaded for everyone who could not attend the live event to watch. Enjoy it.

Joseph T. Snow at the cycle “La Celestina: Representaciones de un clásico” (07/05/2021): “Un clásico en escena por el mundo”

Last Friday, 7th of May 2021, Joseph T. Snow inaugurated the conference cycle “La Celestina: Representaciones de un clásico” at the Aulas de Extensión Universitaria of the Universidad de Cantabria (Spain) with a paper entitled “Un clásico en escena por el mundo”, in which he shared with the in-person and virtual audience his knowledge about the stage adaptations of Celestina. His talk was streamed via Youtube and the recorded version is now available for everyone who, like me, missed the date to watch (embedding is disabled for this video, therefore, I give the URL).

Remember that the conference cycle continues this week with the paper “Referentes pictóricos del teatro: Celestina y compañía” by Natalia Fernández (Universidad de Sevilla), which will take place at the Paraninfo of the Universidad de Cantabria, Sala Fray Antonio de Guevara, tomorrow, Tuesday 11th of May 2021 at 19:30. More information and bookings here (I do not know if it will be streamed AND recorded, as well).
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